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Art
Mediums
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Oils |
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Coeur d'Alene Lake
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Fields at Nine Mile |
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Slavin Conservation Wetlands |
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Vineyards at Greenbluff |
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Poppin' Poppies at Manito |
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Iris Royal |
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Grandview Poplars
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Trees by the
Park Bench |
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Springing to
Life |
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Continuous Soft Rock |
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Old Glory, New
Glory |
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Manito Park Perennials |
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Aroma of Love
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Morning Sky Water Lilies |
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Coeur d'Alene Lake
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St. Joe River Rapids
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Glen Tana Dairy |
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Early Spring Little Spokane River
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Rise Above |
Technical Info
How a Wood Block Print is Created
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The image lines are drawn in
reverse on a primed block of wood.
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Using chisels and carving tools, the
artist shaves away wood leaving the image details and bold lines raised.
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After the block is carved, the
raised wood is inked with a brayer,
and paper is laid on the block.
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To transfer the ink to the paper,
the back of the paper is rubbed with a smooth flat tool of the artist's
choosing. (I permanently borrowed one of my wife's wooden cooking
utensils, which works great.)
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Without shifting the paper,
sections may be gently lifted to check for even inking. When inking
is complete, the whole sheet of paper is lifted off.
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After the ink is dry, the print may
be hand colored, or printed in multiple colors with successive blocks.
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Etchings |
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Little Spokane River |
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St. Georges Foot Bridge |
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Lincoln Park Pond |
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Stone Fireplace at Manito |
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Old Movie Production
Building at Minnihaha Park |
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Stone Bridge at Manito |
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"Tyee", The Old Weather
Boat, A Priest Lake Landmark |
Cow Elk |
Night Swan |
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Japanese Garden Bridge |
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L.R. Montgomery's Etchings are...
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Hand-pulled, signed and
numbered, limited editions
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Collectable as a set, as a
series, or as individual etchings
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Custom etching editions can be created to
commemorate your school family, home, business or organization
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Framing is available upon request.
Links
Custom Etchings
Order
Technical Info
How Etchings Are Created
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The image is first drawn on paper.
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Traditionally, a zinc plate is covered with a
tar like substance called asphaltum. The image is then re-drawn in
reverse with a needle point in the asphaltum resist on a zinc plate.
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Etchings are called "etchings because the
images is actually etched into a zinc plate with acid. Once the the
image is completely drawn in the asphatum, the plate is placed in an
nitric acid bath. Furrows are etched into the metal where it is
no longer covered with asphaltum. When the furrows are deep enough,
the plate is taken out out the acid bath. The acid must be washed
away, and the asphaltum chemically removed from the the plate.
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The image, in reverse, is then visible on the
metal plate.
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New advances in technology have made it
possible to transfer the image to a polymer plate with the use of light.
This of course is a much safer method, and is the one I now prefer.
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After the image is etched into the
plate, the artist covers it with ink, and squeegees the ink into the line
furrows. Any ink lying outside the lines (that is not held within
the furrows) is meticulously wiped away.
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When the plate is ready, the artist lays a
sheet of moistened and blotted rag paper on the plate. The paper and the plate
travel together as a unit through the rollers of the etching press.
As the paper is forced against the ink in the line furrows, the ink
transfers to the paper and then.......finally..... Yes!!.....
One hand-pulled etching printed!!... Then the paper and ink
must dry.
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When drying is complete each of the prints are
signed and numbered by the artist.
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Hand-pulled etchings are produced in limited
editions. LR Montgomery's edition sizes range from 10 to 300 prints of an
image. Even though the same plate is used for each print in the
edition, each impression is unique! No two prints can
be identical due to the hand-inking, wiping and printing process.
This is part of the "mystique of etchings".
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An artist may produce several editions on
related subjects. Together they are called a series of editions. For
example, LR
Montgomery's "Manito Park Series" includes
includes the following editions: Stone Bridge at Manito, Stone
Fireplace at Manito, The Perennial Gardens, Manito Island Etching, Manito
Island 2001, Night Swan, and the Japanese Garden Bridge.
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Additional LR Montgomery etching series
include: "Little Spokane River", "Slavin Wetland Conservation Area",
"Water Fowl of Eastern Washington", "St. Georges School Sanctuaries",
"Wineries", "Northwest Wildlife", "Northwest Landmarks",
"Bridges" and more.
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Because etchings are produced by hand, in
small, limited editions, by only a few artisans, they are consider highly
collectable.

Shove Around

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